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31168 Posts in 3339 Topics by 3166 Members - Latest Member: Christoph Jehle November 21, 2008, 02:05:56 AM
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Author Topic: Atonement  (Read 673 times)
Lucas Adamson
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Atonement
« on: February 08, 2008, 05:36:41 PM »

I'm pretty surprised nobody's mentioned the hour long steadi shot during the beach battle scene of this film. It is impressive, if a little "let's get our money's worth out of these extras and this enormous mayhem we've spent weeks creating." Surprisingly good film. McAvoy great as ever - ever ratface wasn't too annoying.

Lucas
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Charles King
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Re: Atonement
« Reply #1 on: February 08, 2008, 11:24:08 PM »

what is this movie about in the first place?
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Charles King
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Phil Kindred
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Re: Atonement
« Reply #2 on: February 09, 2008, 04:26:58 PM »

It is from a novel about a romance that is betrayed and for which a character must atone.  That is all I will say except it was very well done.  The steadicam shot is actually a 5 minute shot during the evacuation from Dunkirk as WW2 escalates.  Worth seeing--not an exploding robot to be seen.
« Last Edit: February 09, 2008, 05:24:27 PM by Phil Kindred » Logged
Charles King
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Re: Atonement
« Reply #3 on: February 10, 2008, 06:55:11 AM »

Ha Ha Phiul. Good one on  the exploding robot Wink I will take time to see the film.
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Charles King
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Lucas Adamson
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Re: Atonement
« Reply #4 on: February 16, 2008, 06:11:31 AM »

Yeah, five minutes is about right. I really noticed how long a shot it was though. It's one of those where you say to yourself, "it's still the same shot" over and over again for what seems like a long time. It was nominated for best cinematography (Oscars or Bafta - I forget), when IMHO it was only standard good cinematography, but I'll bet it's because of this steadi-shot, which as we all know is a totally different thing from good cinematography.
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Charles King
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Re: Atonement
« Reply #5 on: February 16, 2008, 06:15:02 AM »

I guess it intertwines with good cinematography...otherwise the vision of it's statement would not have been envision...if you get my drift? Wink What the hell...am i getting deep here? HA HA
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Charles King
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