logo
gfxgfx
 
Welcome, Guest. Please login or register.

Login with username, password and session length
 
gfx gfx
gfx
31775 Posts in 3395 Topics by 3263 Members - Latest Member: bellina mikael January 09, 2009, 03:48:46 AM
*
gfx*HomeHelpSearchHBS WEBSITELoginRegistergfx
gfxgfx
0 Members and 1 Guest are viewing this topic.       « previous next »
Pages: [1] Go Down Send this topic Print
Author Topic: A Very Long Engagement  (Read 276 times)
EricCorriveau
Guest


Email
A Very Long Engagement
« on: October 28, 2005, 01:18:46 AM »

Ok. One of my favorite director. The Frenchman Jean-Pierre Jeunet (Delicatessen, City of the Lost Children, Alien Resurection). THAT's  a director who knows how to tell a story with a camera. His 2 last films are very good examples: Le fabuleux destin d'Amélie Poulain (or Amelie from Montmartre or Amelie), and lastly A Very Long Engagement (Un long dimanche de fiancailles).

In A Very Long Engagement, the 2:35 cinematography by Bruno Delbonnel is exquisite and very rich. The entire 35 mm film is digitally color-timed to perfection. Every shot is just gorgeous. Lots of wide angle shots and camera movement.

But it also shows how much pressure is on the steadicam operator, since there is a large percentage of the film shot that way. The storytelling of entire scenes depends on his performance. The long making-of on the DVD shows the operator at work on the whole shoot. And the crane shots... Those shots. There is many amazing, drool-inducing Super Technocrane shots. And there is plenty of footage of it in the making-of. And the music by Badalamenti...

Ok, I think I'm in love with that movie. I'm gonna watch it again right away.

If you understand french, the audio commentary is totally fascinating.
Logged
gfx
Pages: [1] Go Up Send this topic Print 
gfx
Jump to:  
gfx
The HBS Group | Powered by SMF 1.0.3.
© 2001-2005, Lewis Media. All Rights Reserved.

Fusedog Media Group
gfx
Powered by MySQL Powered by PHP Valid XHTML 1.0! Valid CSS!